《漆器图案法大意》是日本大正时代初期(1912～1925)、用往昔流行的胶版誊写印刷术,发行不明册数的珍贵古文献。至于究竟出于何人手笔,作者是谁,迄今都无法定论。这部著作经过了长时期的湮没,而今却能再度问世,则多亏会津若松市白木屋漆器店(株式会社)经理高濑喜左卫门,他在前几年整理书库时,偶然发现了这部眼看就要残缺散佚的手稿。高濑经理当即认定这部全用手抄书写的著作是十分有价值的文献,于是 “Lacquer Pattern Act,” the effect is the early Japanese Taisho period (1912 ~ 1925), with the popular offset lithography, publishing an unknown number of rare ancient literature. As to who exactly is who, who the author, so far no conclusion. This book, after a long period of annihilation, is now rekindled again, thanks to Kusasen Kozo at the Aizu Wakamatsu Shirakawa lacquerware shop (株式会社), who accidentally discovered this book To see the manuscripts will be incomplete and scattered. Takase manager immediately identified this full handwritten book is a very valuable literature, so