丁玲在建国初期的文艺创作,从内容层面上来看,不再是私人话语,而是集体话语;从艺术形式层面上来看,为了政治上宣传普及的目的,力求通俗直白,避免艺术上的含蓄蕴藉;从性质层面上来看,不再是发乎性灵,而是源于政治需求。 Ding Ling’s literary and artistic creation in the early days of the founding of New China was no longer a private discourse but a collective discourse at the content level. From an artistic form level, in order to promote political popularization, Ding Ling sought to be plain and straightforward and avoid artistic implication Implicit borrowing; from a qualitative point of view, is no longer from the spiritual, but from political needs.