安冈章太郎早期的大部分作品取材于自身经历,并以自虐式的幽默风格描写的短篇小说为主,被看作是战后第三新人派作家的代表人物之一。《幸福》叙述了作家少年时期一段遭遇,情节离奇波折,描写细腻深刻。作者通过对故事中人物的心理描写与情节铺开主辅两条线,借对客观世界的叙述来烘托出主人公的主观世界的变化。本文从小说的写作特点和小说的结构布局以及写作手法入手,指出了《幸福》之所以被人们接受与赞美,很大程度上是因为它摆脱了私小说单调的陈式,并以穿越时空出奇制胜的结尾,最大限度地留下了悬念,让人们去思索,去融入他的内心世界。 Most of his early works based on his own experience and based on a self-styled humorous short story are regarded as one of the representatives of the post-war third-new writers. “Happiness” describes a period of childhood as a writer, the plot bizarre, delicate and profound description. By depict the two lines of the main and the auxiliary of the psychological description and plot of the characters in the story, the author expresses the change of the protagonist’s subjective world by the narration of the objective world. This article starts with the characteristics of the novel’s writing, the structure and layout of the novel and the writing techniques. It points out that “happiness” is accepted and praised by the public. It is largely due to its being rid of the monotonous style of private novels and surprisingly winning through time and space The end, the maximum left a suspense, let people think, to integrate into his inner world.