你得先选择故事,然后才知道怎样去处理它。单凭对话和主题,我不认为是一件完成了的作品。故事梗概是极为重要的基础,但是不一定非得完全按它去表现不可。即使一部话剧也要不断修改,在排练时进行改动。我可以举个例子。我拍过一部叫《疤脸大盗》的影片。我们起用一名以前从未演过戏的新演员,他名叫乔治·拉夫特;他是个 You have to choose the story before you know how to deal with it. I do not consider it to be a completed work by dialogue and theme alone. The outline of the story is an extremely important basis, but not necessarily according to its performance. Even a drama should be constantly revised and modified during the rehearsal. I can give an example. I filmed a movie called Scarface. We used a new actor who had never acted before, his name was George Rafter; he was