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在中国儒家传统文化中,“课子”和“孝亲”是两个永恒的主题。清代的课子图堪称中国古代社会重视家庭教育的重要标志。清代课子图之所以盛行,散见于集部的绘画篇什,与画家的母教情结不无关系。可以说,具有丰富思想力量的课子图作为一种绘画内容,连同它背后那些饶有意味和意趣的教子故事,不仅丰富了古代诗文,同时也给我们带来绘画艺术的别样美感。在当下,深入挖掘课子的历史资料,借鉴前人家教的经验,对于弘扬良好的家风,具有特别重要的意义。
In traditional Chinese Confucianism, “class” and “filial piety” are two eternal themes. The class diagram of the Qing Dynasty is an important symbol of the emphasis on family education in ancient Chinese society. The reason why the class diagram of the Qing Dynasty prevailed, scattered in the collection of painting articles, is not unrelated to the painter’s motherhood complex. It can be said that the class diagram with rich ideological power, as a kind of painting content, together with the interesting and interesting teaching stories behind it, not only enriches the ancient poetry, but also brings us another kind of beauty of the art of painting. In the present moment, it is particularly important for us to dig the historical materials of the class and learn from the experiences of the talented people of our predecessors for promoting a good family style.