20世纪初叶是中国社会性质发生巨大转捩的特殊时期。千疮百孔的旧王朝远去,充满朝气的新时代君临。这种“辞旧迎新”的特别文化征候不仅体现在政治、经济之中,同时,也深刻地影响了这一时期的文学、艺术,以及此际的“文人画传统”。近半个多世纪以来,荣宝斋较为完整地收藏了这批“京派画家”的作品。这些历史中的雪泥鸿爪,从另一个侧面揭示了中国近现代绘画传承的基本线索和风格渊源。 The early 20th century was a special period when the nature of Chinese society was undergoing a tremendous turnaround. The riddled old dynasty goes a long way and is full of vitality. This special cultural symbol of “greeting the aged and returning to the old” is not only reflected in politics and economy, but also profoundly influenced the literature, art, and the “tradition of literati painting” during this period. For more than half a century, Rong Bao Zhai has collected these works of “Beijing School Painters” more completely. The mud claws in these history reveal the basic clues and style origins of Chinese modern painting inheritance from another aspect.