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安德鲁·洛伊·韦伯,这个名字在音乐剧的历史上已经成为“成功”的代名词。韦伯的音乐打破了流行与古曲之间的藩篱,他成功地将摇滚乐带入传统音乐剧之中,同时能兼含古典乐的精致优美。音乐剧的广受欢迎,韦伯的确功不可没,其泉源不断的创作才华早被推崇为音乐大师的地位,他历年来的作品至今仍强势地霸占世界舞台。1971年,融合摇滚乐、流行乐及舞台表演的“观念音乐剧”《历世巨星》,以嬉皮摇滚的观点重新检视耶稣受难的故事,可算大胆创新的革命。剧情由犹大的眼光来叙述耶稣受难的经过,无疑地是对圣经的传统故事提出质疑及反对。1978年的《依薇塔》取材于一位嫁给拉丁美洲独裁者的阿根廷女演员的真人真事。剧情编排采用倒叙手法,藉抽丝剥茧的方式揭开这位野心
Andrew Lloyd Webber, a name that has become synonymous with “success” in the history of the musical. Weber's music broke the barriers between popular and ancient music, he successfully rock music into the traditional musical, but also can contain the exquisite beauty of classical music. The popularity of the musical, Weber did make a difference, its fountain of creative talent has long been praised as a master of music, his works over the years is still strong to occupy the world stage. In 1971, a fusion of rock and roll, pop and stage performances of the “concept of musicals” “the world's giant”, hippie rock view of the crucifixion re-examination of the story, can be considered a bold and innovative revolution. The story of Judah from the perspective of the crucifixion of Jesus, no doubt is the traditional story of the Bible questioned and opposed. In 1978, “Evita” is based on the real story of an Argentine actress who married a Latin American dictator. Plot arrangement using flashbacks, by means of snatching uncovered the ambition