“北渚”一词见诸屈子的《九歌·湘夫人》“帝子降兮北渚,目眇眇兮愁予。”“北渚”对于张广慧而言有着非同一般的意义正是从北渚工作室开始张广慧不仅确立了自我个性化的视觉语符更以鲜明的视觉图式在版画艺术领域留下了深刻的印迹9月9日,武汉钻石艺术博物馆举办的“从北渚出发—张广慧个人版画展”隆重开幕,本次展览通过对张广慧先生从事版画艺术创作30年的一次梳理,以此探寻传统木刻版画技术与当代艺术思维相融合的原创艺术实践。从1931年由鲁迅倡导的新兴木刻开始,我国有了版画创作。这种新兴版画从它 “” “” “North” For Zhang Guanghui in terms of non-permanent The same meaning is exactly from the beginning of the Beizhu Studio Zhang Guanghui not only established a self-personalized visual language symbol but also vivid visual style in the field of print art left a deep impression September 9, Wuhan Diamond Art Museum held “From BeizhuZhu - Zhang Guanghui individual print exhibition ” grand opening, this exhibition through Zhang Guanghui engaged in printmaking art creation for 30 years, a comb, in order to explore the traditional woodcut printing technology and contemporary art thinking fusion of original art practice. From the emerging woodcut advocated by Lu Xun in 1931, there was a printmaking work in our country. This emerging print from it