明末著名琴家徐上瀛所著的《溪山琴况》是对古琴音乐美学的总结,他是在明代琴论家冷谦《琴声十六法》的基础上,提出了二十四况,并且用二十四个汉字进行高度概括。本文通过分析《溪山琴况》中对每一况的文字说明,总结出其所代表的有关古琴音乐美学观点、审美意境及演奏技法的文化内涵,并用英文准确表达这些内涵。 The famous musician Xu Shangying’s “Kishan Qinqiu” is a summary of the musical aesthetics of guqin. He put forward twenty-four cases on the basis of the “Qin sixteen method” And with twenty-four characters for a high degree of generalization. This article analyzes the textual description of each condition in “Qin and Qin Dynasties”, summarizes the cultural connotations it represents about the aesthetic point of view, aesthetic conception and performance technique of Guqin, and expresses these connotations accurately in English.