论文部分内容阅读
LOMO文化作为一种摄影亚文化现象产生于上个世纪九十年代初,因其追求即兴的,自然的美学以及“随走随拍”的拍摄方式,在其出现之初,就立刻吸引了大批的年轻人加入到LOMO摄影的行列,当然也引来一些传统摄影爱好者们的质疑。经过几十年的发展,LOMO文化迅速在全球各地蔓延开来,LOMO爱好者的人数在一时间内得到质的飞跃。现如今,LOMO相机由最初的单一形态发展出多品牌多形式的相机,其相机的产品设计显然是受到了LOMO文化的影响,本文主要对LOMO摄影文化对其相应的相机产品设计的影响做简要分析研究。
LOMO culture, as a photographic subculture, emerged in the early 1990’s because of its pursuit of improvisation, natural aesthetics, and the filming of “go-go”, at the very outset it immediately attracted A large number of young people to join the ranks of LOMO photography, of course, also attracted some traditional photography enthusiasts questioned. After several decades of development, the LOMO culture spread rapidly around the world, and the number of LOMO enthusiasts made a qualitative leap in a single time. Now, LOMO camera from the initial single form of multi-brand multi-format camera, the camera’s product design is obviously influenced by the LOMO culture, this paper mainly LOMO photography culture on its corresponding camera product design to do a brief Analysis.