阿尔托于1938年出版的《戏剧及其重影》(The Theatre and ItsDoubJe)一书,已被誉为“我们时代最有影响,同时也是最具煽动力的著作之一。”他在一个不断剥离传统戏剧概念的过程中,把目光投注于人类初年的那种钝拙、质朴、混沌而隽永的东西,将现代戏剧重新带入了原始主义。从这个意义出发,对二十世纪西方戏剧产生深远影响的法国戏剧家安托南·阿尔托可谓在戏剧界倡导原始主义的旗手。 虽然在艺术中运用“原始”一词,总会令人产生一个粗糙拙劣、 Althorpe’s The Theater and Its Double, which was published in 1938, has been hailed as one of the most influential and most provocative works of our time. In the process of dismantling the traditional concept of drama, we turn our attention to primitive, simple, rustic, chaotic and meaningful things in the first year of mankind, bringing modern drama back to primitivism. In this sense, Antoine Alto, a French dramatist who had a far-reaching impact on western drama in the twentieth century, is the standard-bearer advocating primitivism in the theater. Although the use of the word “primitive” in art always leads to a crude,