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宗唐復古是近世文學史上的重要思潮,代表了詩文領域重新體認傳統所建立的主流審美理想。本文以嚴羽詩論與楊士弘、高棅唐詩選本對盛唐的標舉,以及由此展開唐詩正變的區分、條理爲樣例,探究元明之際如何在地域文學與館閣文學的互動中,一步一步實現以音律與世次爲中心的唐詩系譜建構之歷程及其内在理路,進而顯現其引領明清詩學基本走向的文學史意義。
Zong Tang retro is an important thought in modern history of literature and represents the mainstream aesthetic ideal established by the tradition of poetry and prose. This article takes Yan Yu poem theory and Yang Shirong and Gao Yong’s anthologies of Tang poetry as references to the prosperous Tang Dynasty as well as the distinction and systematization of the Tang poetry right now and then explores how the interaction between regional literature and pavilion literature during the Yuan and Ming Dynasties , The step-by-step process of constructing pedigree of the Tang poetry with its rhythm and worldly times as its center and its inner logic, and then revealing the significance of the literary history that guided the basic trends of the Ming-Qing poetics.