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罗龙文是明代嘉靖年间徽州最著名的制墨家、书法家和徽州篆刻艺术的奠基人。其所制罗小华墨在历史上被公认为“明代制墨第一”。罗氏墨品之所谓为后人所推崇,其一是在于他借鉴并发展了传统“桐油烟”制墨的良方,在墨品质量上值得称道;其二是在微州雕刻技术发展与明末文人审美观改变的大趋势下,罗氏在墨模设计和加工上有所突破,改变了宋元以来墨样设计单调、乏味的风格。特别是罗墨的题材开始涉及到普通人的生活情趣,而在表现手段上也借鉴了中国古代山水画中的“诗书画印”等因素。它们之间的彼此完美结合,使得以罗墨为代表的“徽墨”开始成为享誉全国的地域性手工业产品。因而罗小华墨在中国制墨史上具有承前启后的标志性作用。
Luo Longwen is the Ming DynastyJiajingThe most famous Huizhou ink, calligrapher and founder of Huizhou carving art. The Luo Xiaowu ink system in its history is generally recognized as “Ming Dynasty ink first ”. The so-called Roche ink respected for future generations, one is that he borrowed and developed the traditional “tung oil ” ink recipe, commendable in ink quality; the second is the development of micro-technology in sculpture With the change of aesthetics of scholars in the late Ming dynasty, Roche made breakthroughs in the design and processing of ink molds, which changed the monotonous and tedious style of ink design since the Song and Yuan Dynasties. In particular, the theme of Luo Mo began to relate to ordinary people’s life, but also in the means of expression also draws on the ancient Chinese landscape painting “Poetry, Calligraphy and Painting ” and other factors. Their perfect combination with each other, making Luo Mo as the representative of “Hui Mo ” began to become the country’s renowned regional handicraft products. Therefore, Luo Xiaohua ink in the history of Chinese ink has a bearing on the landmark role.