近来我们的散文,多变成了“散文诗”或“散文小说”。内容脱离社会实际,多作者主观幻想之言。古代散文以及任何文体、文字虽讲求艺术,题目都力求朴素无华,字少而富有含蓄。今日文章题目,多如农村酒招,华丽而破旧,一语道破整篇内容。散文如无具体约束,无真情实感,就会枝蔓无边。近来的散文,篇幅都在数千字以上,甚至有过万者,古代实少有之。散文乃是对韵文而言,现在有一种误解,好像散文就是松散的文章,随便的文体。其实,中国散文的特点,是组织要求严密,形体要求短小,思想要求集中。我们从以上所举欧阳修的三篇散文,就 Recently, our essays have become “prose poems” or “prose novels.” Content from social reality, many authors subjective fantasy words. Ancient prose and any stylistic, although the emphasis on art, the text strive to be plain, insignificant and subtle. Today’s article title, much as the rural wine tricks, gorgeous and dilapidated, the last word to break the entire content. If there is no specific prose essay, no real feeling, it will stick vine boundless. Recent essays, the length of thousands of words are in the above, or even have thousands of people, the ancient real rare. Prose but for the verse, there is a misunderstanding, as if the prose is a loose article, casual style. In fact, the characteristic of Chinese prose is that organizations have strict requirements, short form requirements and concentrated demands on thought. We have taken the above-mentioned three essays by Ouyang Xiu