在一个局促的只能拍“记录片”的氛围里,摆脱现场的痕迹,用肖像方式呈现一组人物照。这不同于现场纪实或介于摆与不摆之间的街拍,因为要完全抛开自然与不自然的环境因素,把人物从几秒钟前一个完全不同的氛围里拉出来,扔到底片上。这组照片是在某场活动现场后台拍摄的,当时安排了一小块空间(搭一块布做背景,一只单灯提供照明),预定是1小时拍摄30人,后面一小块地方还有跟进的采访,电视摄像……好吧,其实就是一条流水线。对于完成拍摄任务,如果让我想一个稍微舒服点的方式,我希望能有略微宽裕的时间,可以让他们放松下来,笑一笑或是做个鬼脸。简单说,我需要一个节点来分割之前那个热闹喧哗的世界,但是基本上,这个很难。这不是摄影师发一个口令——上嘴唇碰下嘴唇说“笑”很容易,你面对的被摄者要经历一个时间、空间和心理上的转换过程,以适应快速变化的环境和氛围,更何况我们还常常奢望“更内在、更心灵”的影像。于是我采用了这样的拍摄手法:不强求沟通,不强求内在流露,不强求表现或不表现,只是略静下来, In a cramped can only shoot “documentary ” atmosphere, get rid of the traces of the scene, portrait portraits of a group of people with photos. This is not the same as the live documentary or the street beat between the pendulum and the pendulum, because to completely put aside the natural and unnatural environmental factors, the character is pulled out from an entirely different atmosphere a few seconds ago and thrown onto the negative. This group of photos was taken in the background of an event scene. A small space was arranged at the time (taking a piece of cloth for background and a single light for illumination). It was scheduled to photograph 30 people in 1 hour and a small area in the back Follow-up interviews, TV camera ... Well, in fact, is a pipeline. For the completion of the shooting task, if I think of a slightly more comfortable way, I hope to have a little bit of time, you can let them relax, smile or make a face. In short, I need a node to split the lively world before, but basically, this is hard. This is not a password the photographer sends - the lip touches her lips and says, “Laughs,” it’s easy. The person you face is experiencing a time, space and psychological transition to adapt to a rapidly changing environment. Atmosphere, not to mention we often expect “more inner, more soul ” image. So I adopted such a shooting technique: do not force communication, do not insist on intrinsic disclosure, do not insist on performance or performance, just quiet down,