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20世纪90年代,影片《霸王别姬》中程蝶衣柔情似水的惊艳形象、人戏两不分的执著痴迷、刻骨铭心的破碎情梦,令人至今记忆犹新;2008年,影片《梅兰芳》以京剧大师梅兰芳的传奇婚恋为题材,公映以来再次引发对中国传统文化艺术的讨论热潮。这越发吸引人们去思考“男旦艺术”这个话题,梅兰芳最擅长旦角,在舞台上演女人,是风情万种的;在舞台下做男人,是儒雅风流的。男旦艺术也如同梅兰芳一样,洗尽铅华,历久弥香。
In the 90s of the 20th century, the film “Farewell My Concubine” mid-range dresses softly like the stunning image of people acting indifferent perseverance, unforgettable broken dreams, it is still fresh memories; 2008, the film “Mei Lan Fang ”to Peking Opera master Mei Lanfang’s legendary marriage as a theme, has once again triggered the discussion of traditional Chinese culture and art upsurge. This more and more attractive to people to think “men’s Day art ” this topic, Mei Lanfang is best at Danjiao, acting on the stage a woman, is all kinds of demeanor; under the stage to do men, is elegant and romantic. Male Dan art is also the same as Mei Lanfang, wash all the lead, long-lasting fragrance.