纵览最近20年的获奖目录,我们可以看出一些规律。比如获奖作家国籍的多元化,获奖者不仅仅局限于欧洲,还有亚洲和非洲;比如作家文化身份的多元化,高行健、奈保尔等人都具有双重甚至多重的文化身份,等等。可以说,诺贝尔文学奖在某种程度上充当了世界文学的风向标。在这篇文章里,汪剑钊全面分析了诺贝尔文学奖评奖的机制和原则、百年演变的历程和走向,对我们全面、客观地认识诺贝尔文学奖不无益处。 Looking at the winning list for the last 20 years, we can see some rules. For example, the diversity of nationality of award-winning writers, the winners are not limited to Europe, as well as Asia and Africa; for example, the author’s cultural identity is diversified, Gao Xingjian, Naipaul, and others have dual or even multiple cultural identities, and so on. It can be said that the Nobel Prize for literature has acted as a vane of world literature to some extent. In this article, Wang Jianlian comprehensively analyzed the mechanism and principle of the Nobel Prize for awarding prizes, the course and trend of a century of evolution, and it is not without benefit for us to comprehensively and objectively understand the Nobel Prize for Literature.