随着翻译研究文化转向的出现,译者主体性受到关注。在这一过程中,解构主义作为一支理论力量异军突起,通过“延异”、“重组”、“改写”等概念,否定了意义的确定性,宣告了作者的死亡,从而赋予了译者绝对的阐释权,将译者的地位提升到了一个新的高度。本文通过对翻译家朱纯深几首宋词译文的分析,从解构主义的视角探讨其在翻译过程的主体性,旨在从解构主义的角度揭示翻译过程中译者的文化创造者身份及其翻译主体的地位。 With the emergence of the cultural shift in translation studies, the translator’s subjectivity receives attention. In this process, deconstructionism, as a theoretical force, has suddenly emerged as a theoretical force that has denied the certainty of meaning by declaring the author’s death by concepts such as “variation,” “restructuring,” and “rewriting.” Thus giving the translator absolute power of interpretation, bringing the translator’s status to a new height. Based on the analysis of several transliterations of translator Zhu Songshen’s translations of the Songs, this paper explores the subjectivity of the translation process from the perspective of deconstruction in order to reveal the identity of the translator’s cultural creator and the main body of the translator in the process of translation status.