德彪西《牧神午后序曲》(1894)德彪西曾为他的《牧神午后序曲》写道:“这首序曲的音乐,是马拉梅的优美诗作《牧神午后》的非常自由的图解。”马拉梅的诗歌描绘了一个半人半羊的、异教徒的森林动物的梦境和奇异的幻想。当他的笛子演奏一个“悠长的独奏”时,怠倦欲睡的半神半人农 Debussy’s “Noah’s Overture” (1894) Debussy once wrote for his “Pastoral Noon Overture”: “The music of this Overture is a very free-form illustration of Maramé’s beautiful poem” The Pastor’s Afternoon. “ ”Malame’s poems portray a half-man, half-fledged, pagan forest animal’s dreams and bizarre fantasies. When his flute played a “long solo,” sluggish half-gods