“要整体,要块面,要把握主次关系”,这是已故画家陈逸飞经常挂在嘴边的话。我认识陈逸飞是在1973年,那时我经隔壁弄堂的长笛演奏家徐仁爱女士介绍,拜上海京剧院邵隆海先生为师学习油画。邵隆海1964年毕业于上海美专油画系,与陈逸飞同在油画雕塑创作室工作。我第一次听到陈逸飞 “To the whole, to block, to grasp the primary and secondary relations,” which is often the words of the late painter Chen Yifei. I know that Chen Yifei was in 1973 when I introduced Ms. Xu Renai, a flutist next door to the alley, and paid a courtesy call to Shao Longhai, a Beijing Peking Opera theater artist. Shao Longhai graduated from the Shanghai United States Department of Oil Painting in 1964, working with Chen Yifei in the oil painting studio. I first heard Chen Yifei