在全球一体化,“万类霜天竞自由”的时代,花鸟画的发展创新给当代画家以严峻的挑战。古代那种旧文人情调,显然已不合时宜。面对当下画坛流风,梁时民不盲从,没有被五花八门所谓的“艺术实验”所动摇;同时,他也不固执,没有为古代传统所束缚。他沿着“志于道,据于德,依于仁,游于艺”的艺术康庄大道,终于摸索出了一条属于自己的路数。 In the era of global integration and “freedom from all kinds of frosts and frosts,” the development and innovation of flower and bird paintings present the severe challenges to contemporary artists. The ancient kind of old scholar mood, apparently outdated. Faced with the current trend of art circles, Liang did not obey, was not shaken by so-called “art experiments”, and at the same time, he was not stubborn nor bound by ancient traditions. He finally found a way of his own along the broad road of art which is “Zhiyu Road, according to virtue, depending on benevolence, and traveling in art.”