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20世纪60年代提出的接受美学思想,把传统意义上的处于配角地位的读者引向了文学活动中的中心。联系到在寒假过年期间湖南电视台热播的方言室内电视剧,本文试着用接受美学中的部分观点解读这一现象。
Accepting aesthetic ideas put forward in the 1960s led readers in the traditional sense to playing a supporting role in the center of literary activities. In connection with the dialect’s indoor TV series hit by the Hunan television station during the winter holidays and the new year, this article attempts to interpret this phenomenon with the viewpoints of accepting aesthetics.