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从我对东亚现代诗(中国大陆、日本、韩国、台湾)的接触和有限的阅读中,中国现代诗的成长历程跟台湾、日本以及韩国都有很大不同,首先是政治环境导致的文学环境的不同,再就是地理和人文环境带给诗歌作品以文学精神的微妙差异。回顾中国现代诗的发展历程,我们会轻而易举地发现两个重要的脉络,一个是始于胡适的20世纪初(1919年)五四时期的新诗运动,另一个就是在1978年隆冬悄然登场的朦胧诗《今天》杂志的诞生。众所周知,东亚的现代诗是舶来品的代名词,因为我们创作和阅读以及研究的现代诗母体来自欧洲。在此之前,东亚的几个国家都拥有自己独特的诗歌
From my contacts and limited reading of modern East Asian poetry (China, Japan, Korea and Taiwan), the development of modern Chinese poetry is very different from that of Taiwan, Japan and South Korea. The first is the literary environment resulting from the political environment The difference is the subtle difference between literary spirit and geographical and cultural environment. Looking back at the development of modern Chinese poetry, we can easily find two important contexts. One is Hu Shi’s new poetry movement in the May 4th Movement from the early 20th century (1919), and the other is the hazy quietly appearing in the winter of 1978 The Birth of Poetry Today Magazine. It is well-known that contemporary poetry in East Asia is synonymous with exotic goods because the modern poetry that we write, write and study comes from Europe. Prior to this, several countries in East Asia have their own unique poetry