《当代戏剧》一九八五年第八期上刊载马辂同志《不可以史论戏》一文,提出了一个很重要的问题,我深有同感,也想唠叨几句,以期引起编剧同行及负责“把关”审查的有关文艺领导的重视。我们说这个问题重要,在于它涉及艺术创作的根本,即对艺术的真实性应该如何理解认 “Modern Drama” published in the eighth period of 1985, Comrade Ma Su “can not be a history of drama,” a text, raised a very important issue, I feel very much like, but also want to nagging a few words, in order to arouse writer’s peers And the literary and art leaders in charge of the “check” review. We say that this issue is important because it involves the root of artistic creation, that is, how to understand the authenticity of art