我们不是“题材决定”论者,但我们也从不否认正确的选材是一部文艺作品成败的第一道关口。以电视剧创作而言,不少剧目尽管也不乏新的表现手法,但终因选材失误,而导致功亏一簣的,实在不少;反之,有些剧目,虽在艺术上未见多少新意,但由于选材切中世态人情,因而身价百倍者,也确非鲜见。 We are not theorists of “subject matter decision”, but we also never deny that the correct choice is the first pass of a literary work. In terms of drama creation, quite a few repertoires, though not lacking in new performance techniques, are notoriously short at the end of their selection due to mistakes in their selection. On the contrary, some repertoires, although not quite new in art, Due to the material cut in the world of human, so worth a hundred times, it is also not uncommon.