床作为一个特殊意象在《在切瑟尔海滩上》多次出现。那张雪白而狭窄的四柱大床不仅是一个男女主人公赤诚相对,最终爆发冲突的场所。同时也是在20世纪60年代英国中产阶级社会中无处不在的严肃道德传统的对青年的束缚和压抑之下,男女主人公渴望释放感官欲望的象征。本文通过对“床”意象的解析,阐释二十世纪六十年代青年心理的本相。 The bed appeared as a special image on numerous occasions at “Chesil Beach”. That snow white and narrow four-poster bed is not only a male and female protagonist relatives, the final outbreak of conflict. It is also a symbol of the desire of the hero and heroine to release sensual desires under the bondage and repression of youth, a ubiquitous, serious moral tradition in the British middle class society of the 1960s. Through the analysis of the image of “bed”, this essay explains the psychology of youth in the 1960s.