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《金童》是美国著名华裔戏剧家黄哲伦继《蝴蝶君》后推出的又一力作,被认为是剧作家最成熟的戏剧。黄哲伦打破了历史与现实,记忆与想像,西方与东方的界限,将现实,幻想,历史糅合在一起。《金童》在记忆时空-心理时空-现实时空的3层空间中不停转换。不同的空间在个体影响下被赋予了不同的意义,也直接影响了剧中人物的身份建构。剧作家在实现戏剧空间转向的同时,表达了其守护故土空间,以及对多层空间并存的期望。这一舞台尝试不仅提升了空间对戏剧的重要性,更创造性地将空间重新组合和拓展,缔造了一种新的整体化剧院空间形式,实现了对传统戏剧空间的超越。
Golden Boy is another masterpiece launched by the famous American Chinese dramatist Huang Chuan-lun after Butterfly Man and is considered as the most mature playwright. Huan-Lun Huang broke the history and reality, memory and imagination, the boundaries between the West and the East, the reality, illusion, history together. “Golden Boy” in the memory of space and time - psychological space - the real-time three-dimensional space-time conversion. Different spaces are given different meanings under the influence of individuals and directly affect the identity construction of the characters in the play. While realizing the turn of theater space, the dramatists expressed their hope of preserving the homeland space as well as the coexistence of multi-layer space. This stage trial not only enhanced the importance of space to drama, but also creatively reorganized and expanded the space, creating a new integrated theater space form and surpassing the traditional theater space.