当下书法,一直在以竞赛驱动的各类、各级展览,与以经济利益驱动的市场这两大动力车轮的裹挟下,集体无意识地一路高歌猛进,但缺失的是一个学术梳理、创作批评这只方向的车轮。唯有在喧嚣的迷离中,收回疲惫的目光,在历史的深处回望一下我们的创作来路和归途,方有可能找到更正确的路途。来路——中国书法传统在时代的进步中,所应当承载的人文精神和核心价值;归途——书法在现代化语境中,将走向何处,应有怎样的时代人文价值呈现及其文化担当。此其一。举办以武汉一拨书法青年俊彦为主体的首届青年书展,贯之以学术批评之宗旨, The current calligraphy, has been in the contest driven all types of exhibitions at all levels, driven by the economic interests of the market these two impetus wheels under the coercion, the collective unconsciously triumphantly marched forward, but the lack of an academic comb, creative criticism only Wheel of direction. Only in the bustle of the blur, the recovery of tired eyes, look back in the depths of our history and return home, we may find a more correct way. The way - the humane spirit and core value that the Chinese calligraphy tradition should carry in the progress of the times; the way home - the orientations of the calligraphy in the context of modernization, what time should the cultural values ​​of humanity appear and their cultural responsibilities . One of these. Held a group of calligraphy calligraphy in Wuhan Toshihiko as the first youth book exhibition, which runs through the purpose of academic criticism,