此文考察了余华小说风格的变化及其在创作心理机制上的深层动因，在美学意义上的反切与回归，并将其归结为“从激增到平常心”、“从死亡到活着”、“从审丑到禅境”三个方面。文章由此展开论述，指出这些变化从根本上来说是主体的张场与隐退的体现，通过这一转变，金华正摆脱一种摹仿，开始写出属于自己的作品来。 This paper examines the changes in Yu Hua’s novel style and its underlying motivation in the creative psychological mechanism, in the aesthetic sense of the anti-cutback and regression, and attributed to “from surge to normalcy”, “from death to alive”, “ From Appreciation of Ugliness to Zen ”Three Aspects. The article begins with an exposition, pointing out that these changes are fundamentally the manifestation of the subject’s opening up and retreat. Through this transformation, Jinhua is getting rid of an imitation and starting to write his own work.