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从“肉弹一金刚”到“开始变形”。在近一年的创作历程中,我借助陶瓷“土与火”特殊的语言魅力来创作。陶瓷是一个很好的载体,一方面,它蕴含着中国五千年的传统文化,另一方面,它华丽的外表下脆弱的本性也恰巧符合当代社会表面光鲜而背后虚伪脆弱的特性。肮脏的东西无处不在,自我的流失随处可见,人与人的情感维系不堪一击。“肉弹”是谁?“金刚”是我?欲望的亢奋,精神的堕落。坚持自我是如此的难能可贵。这或许就是我创作“肉弹—金刚系列”的本源,只是,对于从小便在崇尚唯美艺术氛围中成长的我而言,我对美的追求之心却是不变的。
From “meatball a diamond ” to “deformation ”. In the course of nearly a year of creation, I created it with the special language charm of ceramic “earth and fire”. Ceramics is a very good carrier. On the one hand, it contains 5000 years of traditional Chinese culture. On the other hand, its gorgeous appearance of fragile nature happens to coincide with the appearance of the modern society and its hypocritical characteristics. Dirty things everywhere, the loss of self can be seen everywhere, the feelings of the people sustain vulnerable. Who is the “bomb” “King Kong” is my desire of the hyper, mental degradation. Self-esteem is so commendable. This may be the origin of my “Meatball - King Kong Series”. However, my pursuit of beauty is unchanged from the moment when I grew up urinating in an atmosphere of aesthetic art.