“兴象”是一个传统的美学概念,穷其渊源,它既与中国诗歌“赋、比、兴”中的“兴”是相联系的,但又突破了“兴”的窠臼,把“象”的呈现作为和“兴”并列的一个内容。而“象”一方面得力于天然,另一方面得力于人力,“兴”与“象”的关系不同,情韵的表现方法也会不同。 “Xing Xiang” is a traditional concept of aesthetics, its origin is poor, it is not only related to the “Xing” in Chinese poetry “Fu, Bi, Xing”, but also breaks through the “ ”The mortal, the “ image ”as a presentation and “ Xing ”a juxtaposition. While the “elephant” is capable of being natural on the one hand and manpower on the other hand, the relationship between “Xing” and “Xiang” is different, and the expressing method of emotion and expression will be different.