论文部分内容阅读
“父与子”关系原型,一直是犹太作家作品不断书写和阐释的主题。美国犹太作家诺曼·梅勒在小说《裸者与死者》与《夜幕下的大军》中通过“父与子”订契、“父与子”失和与“父与子”重建,描写了犹太“子”辈面对代表传统的“父”辈权威与文化革新的二元选择时,对文化身份经历了从笃信、怀疑到批判式认同的发展过程。小说在继承传统犹太企望——父辈与子辈和谐承接的同时,认可了新一代“子”辈的叛逆特性,并希望在此基础重建“父与子”新型关系,表达了二战后犹太移民后代对重构文化身份的积极思考,是对犹太原型“父与子”关系的一种现代性阐释。
The prototype of the “Father and Son” relationship has been the subject of constant writing and interpretation by Jewish writers. American Jewish writer Norman Mailer confessed his father and son in the novel The Naked and Dead and the Underlord in the Night, “Reconstruction describes the dual choice of the” “generation’s authority and cultural innovation on behalf of the traditional” fathers “generation, and goes through the process of development from devotion and doubt to critical identity through cultural identity . While inheriting the traditional Jewish hope - that the fathers and their children inherit harmoniously, the novel recognizes the rebellious character of the new generation of ”children“ and hopes to reconstruct a new relationship of ”father and son“ based on this expression of World War II After the Jewish immigrants to reconstruct their cultural identity positive thinking, is a Jewish prototype ”Father and Son, " a modern interpretation.