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20世纪被称为图像泛滥的时代,但同时也被称为图像死亡的时代。对于前一种描述,视觉文化研究以之作为谈论语境,对图像泛滥背后的主体性陷落进行了批判性的考察,即一方面图像泛滥带来了主体追求致死之快感的文化欣快症,另一方面泛滥的图像背后的意识形态编码使得现代主体成为了臣服的主体。后一种描述更多为艺术史家所钟情,他们同样是在图像泛滥的语境中来谈论这一问题的,但他们同时又为一种怀旧式的文化情结所包围,并想通过图像和目光的考古学考察来重新复
The twentieth century is known as the era of image flooding, but it is also known as the era of image death. As for the former description, visual culture studies use this as a context to talk about the subjectivity of the image overwhelmed by the subjective collapse of a critical investigation, on the one hand, the proliferation of images brought the pleasure of the main pursuit of the pleasure of cultural euphoria, On the other hand, the ideological code behind the flooded images made the modern subject the subject of submission. The latter description more about the love of art historians, who are also talking about the issue in the context of images flooding, but they are also surrounded by a nostalgic cultural complex and want to pass the image and attention Archeology study to be repeated