事物的发展均有一个萌芽、发生与发展的过程,清代碑学书法的形成同样如此。宋代兴起的金石考证学,到清乾隆、嘉庆两朝达到鼎盛。对于出土的钟鼎、吉金篆刻文字的考证和传世碑版的研究,为书法找到了一条出路。清中叶以后,帖学衰微,金石大盛而碑派书法兴起,即康有为所说的“碑学之兴,乘帖学之坏,亦因金石之大盛也”。不过早在明代,有识之士就已经有了对于碑刻书法的一些认知。虽然明代刻帖之风在继宋代之后大盛,帖学书法得到长足的发展,但随着清玩文化发展到高峰阶段,收集碑版拓片的风气也逐渐形成,“明人 The development of things has a sprout, the process of occurrence and development, the same is true of the formation of calligraphy in the Qing Dynasty. Song Dynasty risestone textual research, to the Qing Emperor Qianlong, Jiaqing reached its peak. For the unearthed Zhong Ding, Kyrgyzstan carving textual research and pass the tablet edition of the study, found a way out for the calligraphy. After the middle of the Qing Dynasty, the decline of post-calligraphy declined. The calligraphy of calligraphy and stone rose greatly, that is, Kang Youwei said: ” However, as early as the Ming Dynasty, people of insight already had some knowledge of inscribed calligraphy. Although the style of engraving in the Ming dynasty was greatly followed by the Song Dynasty, the development of calligraphy in the calligraphy got a great development. However, with the development of Qingcai culture to the peak stage, the trend of collecting tablet rubbings gradually formed.