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这是带有知识分子趣味的、抽离在外的凝视,如同在一个鱼缸里观看(屏幕上)这个世界的活动和事件,而正是这些事件在此之前构建了这只鱼缸和它的话语体系。极少有影片像菲利普·加瑞尔的剧情片《女人的阴影》这样在第一个镜头中就以一种简约而不失优雅的方式将创作者要表达的主题向观众和盘托出。一个年轻男人(斯坦尼斯拉斯·莫哈饰)倚在一堵厚重又雕饰华丽的老墙边,头发蓬松,薄夹克里裹着一件白T恤,边吃东西边看一张从信封里拿出的卡片。他又啃了一
This is an intellectual, detached glimpse of events and events in a world of aquariums (on the screen), and it was these events that built the aquarium and its discourse system . Few movies, like Phillip Garrell’s feature film The Shadow of a Woman, in the first episode, present the subject of the creator’s presentation to the audience in a concise yet elegant way. A young man (Stanislas Moha ornaments) leans on a heavy and carved ornate old wall, fluffy hair, a white T-shirt wrapped in a thin jacket, eating while watching a piece from the envelope Take out the card. He bites again