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(2015年第一期《欧美当代戏剧三人谈》一文因根据访谈的中英文互译录音整理而出现了若干处错误,现予更正,并向读者致歉。)欧美当代戏剧三人谈——张福海、胡开奇与马尔文·卡尔森的谈话1.马:进入21世纪以来,有一个非常明显的现象。年轻一代的剧作家不再进行常规的写作,而是以文献做为依据和来源进行创作的,这一点和以前比较不同。现在新一代剧作家在处理题材上和过去的讲故事不一样,是新闻报道似的内容。它的区别在于:原来是叙事戏剧,现在变成了文献戏剧,主
(The first issue of “The Three-Person Talk on Contemporary European and American Drama” in 2015 has been corrected due to several mistakes made in the interviews with both Chinese and English transcribed audio recordings.) Three Versions of Contemporary European and American Drama - Zhang Fuhai, Hu Kaiqi and Malvern Carlson conversation 1. Ma: Since entering the 21st century, there is a very obvious phenomenon. The younger generation of playwrights no longer routine writing, but rather based on the literature as the basis and source of creative, and this is quite different from before. Now a new generation of playwright in the handling of the story and the story is not the same as the past, is news-like content. The difference is that it turns out to be a narrative drama, and now it has become a literary drama and master