汪曾祺之后,作家与现实的对话,被一种非政治的话语代替了。汪氏并非简单地逃离政治,像他那样写作的人,毕竟很少。而历史记忆的复杂性,也使许多人在回望过去的时候,就轻松不起来。同代的作家孙犁,在保持宁静氛围的同时,又多了肃杀的气息,是沿袭了鲁迅的某些遗迹的。更年轻的一代刘恒、莫言都更接近鲁迅的传统而非废名、沈从文的传统。 After Wang Zengqi, the dialogue between writer and reality was replaced by a non-political discourse. Wang does not simply escape from politics, but few writers like him. The complexity of historical memory also makes it hard for many people to look back on the past. Sun Li, an author of the same generation, maintained a quiet atmosphere and added more chill to the atmosphere, following certain relics of Lu Xun. The younger generation Liu Heng and Mo Yan are all closer to the tradition of Lu Xun rather than the deceased and Shen Congwen.