今天,我们的思维已经很习惯于电视的逻辑。电视上播放的内容已经入侵到个人生活的每个角落,图像、信息传播成为家庭生活无法缺少的一部分。电视传播的审美、道德、标准等以及故事情节让人每天无可奈何地接收。提到录像艺术(VEDIO)与电视的关系,在观众的脑子里最多的共同点就是两个都有移动的图像,但录像作品的内容对观众却是很陌生的,因而这样的陌生也造成了它与文化消费者的障碍。在上海多伦美术馆进行的“荷兰录像艺术简史展”给中国观众带来了30多位艺术家的作品,包括了最具代表性的荷兰艺术家的作品(从20世纪70年代到90年代)。有意思的现象是这些艺术家居住、创作在荷兰,但他们的文化背景不一样,他们来自不同国家,如伊朗、美国、南斯拉夫、英国、波 Today, our thinking is already accustomed to the logic of television. Content broadcast on television has invaded every corner of personal life, and the dissemination of images and information has become an indispensable part of family life. The aesthetics, ethics, standards, etc., of the television broadcast, and the storyline make it everyday for helpless reception. When it comes to the relationship between VEDIO and TV, the most common thing in viewers’ minds is that both have moving images, but the content of the video works is very strange to the audience, so this unfamiliarity has also caused It’s a barrier to cultural consumers. The exhibition “A Brief History of Dutch Video Art” at the Duolun Museum of Art in Shanghai brought to the Chinese audience more than 30 artists, including works by the most representative Dutch artists (from the 1970s to the 90s Age). Interesting phenomenon is that these artists live in the Netherlands, but their cultural backgrounds are different, they come from different countries such as Iran, the United States, Yugoslavia, the United Kingdom, the wave