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《诗经》是一部重要的儒家经典,关于《诗经》的研究源远流长。自汉迄清,历代学者开创了不同的研究方法,扩宽了研究领域。就《诗经》的文献体式来看,大致有传、说、记、故、训、注、笺、章句等,主要是从文字诠释和演说大义两个大的方面来注经、解经。在众多文献体式中,一种以图解诗,图与诗相结合的“范式”值得注意与研究。本文笔者将对历代图说《诗》学文献概况进行简单梳理,力图窥视其特点。
The Book of Songs is an important classics of Confucianism, and the research on the Book of Poetry goes back to ancient times. Since the Han and Qing dynasties, scholars of different ages have created different research methods and broadened their research fields. As far as the literature of the Book of Songs is concerned, there are two main aspects, that is, the mass communication, the explanation, the reason, the training, the note, the note and the chapter sentence. Among many literary forms, a “paradigm” combining illustrated poems, figures and poems deserves our attention and research. In this paper, the author will outline the “poetic” literature of ancient dynasties briefly to sort out, trying to peek at its characteristics.