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本文以中国的“还坛神”和韩国的“东海岸别神祭”为主要研究对象,对中韩两国仪式剧进行比较,寻求其普遍性和特殊性。从演出形态来看,中韩仪式剧主要集中在仪式的娱神酬神阶段演出,其基本形态是祭夹戏;但中国仪式剧较多的是以戏代祭,韩国仪式剧一般是先祭后戏。从艺术品格来看,二者具有拙朴、风趣、即兴的艺术品格,均包含了一些游戏的特质。但中国仪式剧较多的具备戏曲萌芽的特征,韩国仪式剧较多的具备原始演剧的特征。
In this paper, the author mainly studies the ritual dramas of China and South Korea in order to find out the universality and particularity of the ritual dramas in China. From the appearance of the show, the main contents of the ritual dramas in the ROK and South Korea are mainly performed at the ritual performance of the God-For-God remuneration. However, the basic form of the ritual drama is the ritual play. However, After the show. From the artistic point of view, both have a simple, funny, improvisational artistic style, all contain some of the characteristics of the game. However, the Chinese ritual drama has the characteristics of opera sprout, while the Korean ritual drama has more features of the original drama.