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四、小提琴在北京蓬勃发展(1976-2000年)“文革”结束后,小提琴艺术在北京重新焕发生机。1977年中央音乐学院恢复招生,“文革”中后期小提琴的大普及所积蓄的人才使小提琴专业新生的素质尤为突出。包括上世纪50年代的留学生韩里、林耀基、赵维俭、王振山等在内的一批优秀教师队伍经过20多年的艰苦探索与奋斗,在教学中取得了令人惊叹的成果,北京新一代小提琴演奏家在国际大赛频频获奖。自1980年林耀基的学生胡坤获得第四届西贝柳斯国际小提琴比赛第5名后,中央音乐学院的优秀学生已几十次获得各
IV. Violins Boom in Beijing (1976-2000) After the “Cultural Revolution” ended, the violin art was revitalized again in Beijing. In 1977, the Central Conservatory of Music resumed enrollment and the talents accumulated by the popularity of violins in the “Cultural Revolution” in the late “Cultural Revolution” made the violin major fresh its quality particularly. A group of outstanding teachers, including Han Li, Lin Yaoji, Zhao Weijian and Wang Zhenshan, among foreign students from the 1950s, have made amazing achievements in teaching after more than 20 years of hard exploration and struggle. A new generation of violinists in Beijing Frequently won in the international competitions. Since Lin Yaoji’s student Hu Kun won the 5th Sibelius International Violin Competition in 1980, outstanding students at the Central Conservatory of Music have won dozens of