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身为一名评论家,歌德一定的绘画研究、鉴赏品评和对艺术趋势与传统的历史分析,阐释了其精微的审美标准。歌德的艺术批评广布在他与席勒、诗人情人一一夏绿蒂·冯·施泰因夫人和玛丽安娜·冯·魏尔默小姐的信函以及无数小册子与期刊文章中。歌德判断艺术之美的原则类似于断定科学真理的法则。歌德美学表达的自然本质的形式展现理论取决于直觉平衡和宇宙对抗力量互动。尽管康德的艺术哲学与歌德相异,但其《判断力的批判》(1790)也让歌德印象深刻。康德把艺术与科学领域分开,而在歌德看来艺术美与科学真理之间没有显著区别。关注这点很重要:歌德在科学领域焕然一新的视野
As a critic, Goethe has some painstaking research on painting, appreciation of the reviews, and historical analysis of the trends and traditions of the arts, explaining his subtle aesthetic standards. Goethe’s artistic criticism was widely distributed in his correspondence with Schiller, the poet’s lover, and the brochure and journal articles of Mrs. Charlotte von Stein and Miss Marie-Anne von Wermer. The principle of Goethe judging the beauty of art is similar to the law of determining scientific truth. The theory of the formal nature of Goethe’s aesthetic expression depends on the intuitive balance and the interaction of cosmic opposition forces. Although Kant’s artistic philosophy is different from that of Goethe, Kant’s Impression of Judgment (1790) impressed Goethe. Kant separated art and science, whereas Goethe did not see any significant difference between artistic beauty and scientific truth. It is important to pay attention to this: Goethe has a new vision in the field of science