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和国外相比比,中国的艺术市场起步相当晚。大概是在八十年代后期,才开始有了一批并不规范的画廊产生,以及所谓的中介人、实际上的画贩子的出现,1993年拍卖公司和艺术博览会的兴起又使中国艺术市场很快掀起了一个高潮。至此,中国艺术市场的三大支柱产业:画廊、拍卖公司、艺术博览会似乎先后粉墨登场了,艺术市场是否从此一帆风顺?泡沫退却,因为缺少规范运作而重新跌入低谷的中国艺术市场再一次开始审视这些在市场运作中起决定作用的中介机构、经纪人、艺术家、批评家之间的合理关系。艺博会:从“练摊”到“拒绝个人参展” 1993年,当中国首届艺术博览会在广州举办时,这个“在政府全力支持下的第一次国际性、开放性、以市场运作为主导
Compared with foreign countries, China’s art market started quite late. It was not until the late 1980s that a number of non-standard galleries started to emerge, and so-called intermediaries, in fact the emergence of art dealers, the rise of auction houses and art fairs in 1993 brought the Chinese art market very Quickly set off a climax. At this point, the three major pillar industries of the Chinese art market: galleries, auction houses, art fairs seem to have taken off one after another. Is art market plain sailing? The bubble retreats again and the Chinese art market, which is back in the doldrums due to lack of normative operations, Reasonable relationship between intermediaries, brokers, artists and critics who play a decisive role in the operation of the market. Art Fair: From “Practitioners” to “Refusing to Exhibit Individuals” In 1993, when the first art fair in China was held in Guangzhou, the "first international, open and market-oriented operation under the full support of the government