2013年我所阅读的图书中,最让我珍视和欣慰,读后又让我止不住流泪和伤感的,是中国国家话剧院编著的《唯有赤子心》这本图册(新华出版社2012年12月出版)。它是为纪念“文革”受害者——我国杰出话剧女导演孙维世诞辰91周年而编辑出版,由几位80后的年轻人完成的。她们不但与这位戏剧前辈从未谋面,而且相距不止一个时代。慷慨出资支持这本书的出版和纪念活动的,不是文化戏剧界的当权者,而是大庆油田一群爱戴孙维世的老职工。图册的主编颜榴是一位年轻女学者,她为图册写了一篇动人的《后记》。当年轻一代的学者们把目光投向一个特殊的历史 Among the books I read in 2013, I cherished and rewarded me most. After reading, I could not stop crying and feeling sad. Atlas of this book was edited by the China National Theater (Xinhua Publishing House Published in December 2012). It was edited and published in commemoration of the 91st anniversary of the birth of China’s outstanding drama director Sun Weishe, the victim of the Cultural Revolution, and completed by some 80 young people. Not only have they never met the theater predecessor, they are more than an era apart. The generous contribution to supporting the publication and commemoration of the book is not the authority of the cultural theater industry but an old worker who loves Sun Weiwei in Daqing Oilfield. The album’s editor, Yan Ju, a young female scholar, writes an engaging “postscript” to the album. When the younger generation of scholars turn their attention to a special history