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弗洛伊德的精神分析学不仅是从心理的角度对人类的一次巨大的突破,更在文学艺术等领域开花结果。基于这一学说,许多以往的文学作品中的心理描写有了科学依据,而此后的一些文学家则有意识的运用这一学说,在塑造人物时,深入到人物心灵之中,挖掘其中的激情。本文从一些经典的文学作品出发,论述了精神分析学说与茨威格和陀思妥耶夫斯基的精神分析文学的关系;弗洛伊德“本我”理论与堂吉诃德矛盾的悲喜剧命运的关联;潜意识理论与现代派戏剧的兴起的关系这三个方面的问题;以此来表达本文的主题:精神分析与文学的关系,乃是这种科学促使人们意识到、并去自觉地探索心灵的激情。
Freud’s psychoanalysis is not only a huge breakthrough in human psychology from the perspective of psychology, but also in the fields of literature and art. Based on this theory, many past literary works have psychological basis for their psychological description. Some later writers consciously used this theory to dig deep into the human mind and create the excitement in shaping the characters. Based on some classic literary works, this paper discusses the relationship between the psychoanalytic theory and the psychoanalysis literature of Zweig and Dostoyevsky; the contradiction between Freudian ’Ben ’ and Don Quixote The relationship between psychoanalysis and literature, but it is this kind of science that causes people to realize and to go Consciously explore the passion of the soul.