看陆扬的作品总会让观者恍惚于冰冷的科学实验与艺术展览的边界之间,作为一位年轻的女性艺术家,我们之前用于形容女性艺术家作品特质的、所有习惯性词汇——感性、唯美、伤感、诗意等——都像一支支刺向坚硬钢板的脆弱木箭,被其作品中的理性与缜密折断成一段段对于肌体病变的不适认知。 Looking at Lu Yang’s work always leaves the viewer indistinct between the cold science experiments and the boundaries of the art exhibition. As a young female artist, all of the customary words we used to describe the qualities of female artists before - , Aesthetically, sadly, poetically, etc. - are like a fragile wooden arrow stabbing a hard steel plate, broken by the rational and meticulous nature of his work into a segment of discomfort known to the body.