论文部分内容阅读
我们将法国思想家居伊·德波(Guy Ernest Dobord)的《景观社会》理论中的关键词挪用,为杂志改版后这个栏目命名。既然世界、现实生活可以展现、归纳为“景观”,作为新栏目的《景观》也理应为我们打开更开放的学术视野,从传统意义上的摄影影像,扩展到整个视觉艺术及视觉文化研究领域。我们邀请著名学者顾铮作为学术主持,对邢丹文、严程、宋朝的作品进行分析。三位摄影者的作品在展示当代中国景观的唯度的同时,某种程度上更体现出中国当代摄影的复杂状况。三位摄影家的背景和经历存在着很大的差异。
We appropriated the key words of Guy Ernest Dobord’s “Landscape Society”, a French thinker, and named the column after the magazine’s revision. Since the world, real life can be demonstrated and summarized as “landscape”, the “landscape” as a new column should also open up a more open academic field of vision for us. From the traditional photographic images, it extends to the field of visual arts and visual culture . We invited the famous scholar Gu Zheng as academic moderator to analyze the works of Xing Danwen, Yan Cheng and Song Dynasty. The works of the three photographers show the degree of contemporary Chinese landscape while at the same time they reflect the complicated situation of contemporary Chinese photography to some extent. The background and experience of the three photographers are quite different.