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在传统与现代相碰撞的今天,中国山水画进入了一个崭新的繁华胜境。媒体的先进、信息的畅通,使画家同样置身于一个知识爆炸的时代。陆广雄作为传统艺术的继承者和拓荒者,面对山水画发展的前景,认识也更加明确。他不再迷惑,不再彷徨。来自传统和生活的双重滋养给他的创作带来了无尽的源泉。他在汲取中华民族博大精深的美学遗产的同时,确立了自己的本体语言。
In the collision between tradition and modernity, Chinese landscape painting has entered a new prosperous life. The advanced media and the smooth flow of information make the artist equally exposed to an era of knowledge explosion. As a successor and pioneer of traditional art, Lu Guangxiong is more aware of the prospect of the development of landscape painting. He is no longer confused, no longer fake. The double nourishment from tradition and life has brought endless sources to his creation. While drawing on the extensive and profound aesthetic legacy of the Chinese nation, he established his own ontology language.