20世纪人类对美的忘却已成为整体性的痼疾。特别是在西方美术领域 ,少数艺术家、艺术评论家们以极其荒谬的理论 ,对古典艺术之美进行史无前例的误导和颠覆 ,且自认为是一场划时代的“世界性”的革命。艺术家们长期处于一种盲目起哄的喧嚣中 ,逐渐丢失了原本的自然和谐、纯朴童贞的话语 ,代之走进了“宁可丧失美 ,不能丧失艺术”的现代误区。本文同时也论述了古典主义之美是人类心灵情态自由的胜果 ,呼吁真正的艺术该以趋向自然、淳朴和崇尚性情的本真为度 ,阐明了一切艺术的创造 ,都该复归具有自然之质、自然之体、自然之性的自然生命怀抱 ,才是艺术所寻觅的永恒的、真正的“大美”所在 The forgetfulness of mankind toward the United States in the 20th century has become a monolithic disease. Especially in the field of western art, a small number of artists and art critics, using extremely absurd theories, have conducted unprecedented misleading and subversive aesthetic beauty of classical art and considered themselves as epoch-making “world-wide” revolutions. For a long period of time, the artists, in a noisy, blindly stirring way, gradually lost their original words of natural harmony and virginity and instead walked into the modern erroneous zone that “would rather lose beauty than lose the art.” This article also discusses that the beauty of the classicism is the victory of the modality of the human mind and calls for the real art to be natural, honest and advocating the true nature of the temperament as a degree, clarifying that all artistic creation should be re-naturalized , Natural body, the natural nature of the embrace of the natural life, is the art of looking for the eternal, the real “big beauty” is