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由于政治和意识形态的原因,台湾当代戏剧的发展状况及走势与大陆同期戏剧相比,存在着明显的差异.这种同源分流的历史长达三十年,直至八十年代后期才逐渐出现交流叠合的趋势.杜云之说:“台湾光复前,我国现代戏剧早已传入.许多台湾的剧人,向往祖国的戏剧活动,采用上海等地传来的剧本,模仿演出,以致受日本殖民统治的惮忌和迫害.在我国现代戏剧史上,写下血泪的一章.”抗战胜利后,大陆许多职业剧团纷纷赴台进行公演,先后演出了吴祖光的《牛郎织女》、《正气歌》,欧阳予倩的《桃花扇》、曹禺的《雷雨》、《日出》,柯灵和师陀改编的《夜店》、《大马戏团》等,使沉寂多年的台湾戏剧出现复苏的迹象.在赴台演出的剧团中,除上海观众戏剧演出公司、南京国立剧专学校剧团等话剧团体外,还有不少戏曲剧团,如顾正秋、张正芬的“顾剧团”,王振祖的“中国剧团”、张远亭的“正义剧团”等,这些剧团演出的京剧(台称平剧或国剧)和其他地方戏曲与话剧和台湾本土的歌仔戏一起.共同促使光复后的台湾剧坛一度出现颇为繁盛的景象.
Due to political and ideological reasons, there are obvious differences in the development and trend of Taiwan’s contemporary drama compared with that of the mainland drama of the same period, which has been taking place for as long as 30 years until the late 1980s Du Yunzhi said: “Before the rejuvenation of Taiwan, China’s modern drama has long been introduced.Many Taiwanese dramatis personages and the motherland’s dramatic activities, using scripts from Shanghai and other places, imitate performances, so that Japan Colonial rule and persecution .In the history of modern drama in our country, write a chapter of blood and tears. ”After the victory of the Anti-Japanese War, many mainland professional theater troupes have come to Taiwan to perform one after another, has performed Wu Zu Guang’s“ Cowboy Weaver ”,“ righteousness song ” The “Peach Blossom Fan” by Ouyang Yuqian, the “Thunderstorm” by Cao Yu, the “Sunrise”, the “Nightclub” by Ke Ling and Shituo, and the “Grand Circus” have shown signs of recovery in Taiwan’s silence for many years. In addition to the theatrical troupes such as Shanghai Audience Theater Company and Nanjing National Academy of Drama, there are many opera troupes such as Gu Zhengqiu, Zhang Zhengfen’s “Gu Ju Tuan”, Wang Zhenzu’s “Chinese Theater Troupe” and “Zhang Ting”, “The Righteous Theater Troupe”, etc. These theatrical performances of Peking Opera (Taiwan-based Ping opera or national drama) and other local operas and drama and Taiwanese native Taiwanese opera together to promote the recovery of Taiwanese theater once appeared Quite prosperous scene.